A 2019 study found that “in the collections of eighteen major US art museums, 87 percent of artworks were by men, and 85 percent by white artists.” There’s a lot to be mad about, but London-based art historian Hessel nimbly pivots that energy into a constructive, revelatory project. Prominent 19th-century art critic John Ruskin once proclaimed, “the woman’s intellect is not for invention or creation, but for sweet ordering, arrangement, and decision,” and traces of this misguided and malignant sentiment can still be found over a century later in art institutions around the world. Righteous indignation meets techie magic to shine light on one of America’s most malignant warts.Īn indispensable primer on the history of art, with an exclusive focus on women.
“In real life I’m a schlubby bisexual Jew,” she writes, “living in Brooklyn, with long brown ratty curls, the matronly figure of a mother in a Philip Roth novel, and a brassy personal politic that’s not particularly sectarian but falls considerably to the left of Medicare for All.” For a full year, as she recounts in this skillful memoir, she descended into the hateful world of rightist extremism, delivering highly useful insights: For one, although White nationalist were quite happy to see Donald Trump take the presidency, he was held in suspicion for not acting beyond what they clearly see as mere encouragement and for allowing his daughter to be married to a Jew, one trope of anti-Semitism that plays on old canards but that gained power in the 20th century thanks to the likes of Henry Ford and his “vision of the Jew as world-encircling parasite, source and sustainer of the modern world’s evils.” The extreme right was a pioneer in computer communication, particularly because of the anonymity it offered, but Lavin’s fearless hacking into the Boogaloo crowd, the women-hating incels (“none of these men have seen labia or even a penis entering a vagina,” says one taunting obstetrician), and an extremely nasty 15-year-old girl whose racist rants earned a huge YouTube following have all helped expose the alt-right as a dangerous but largely pathetic bunch. “In order to look as deeply as I could into the world of white nationalism,” writes Lavin, she has assumed a wide variety of online personas-e.g., a blond White nationalist from rural Iowa, a factory worker who regained his sense of purpose only after joining a White supremacist crew, and a seductress who broke down the electronic doors of one of the Ukraine’s most virulent neo-Nazi sects. A master of “social engineering” probes into the deepest recesses of White supremacism.
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