Some poems were marked with a cross, others with a horizontal or a vertical line, and a few by carefully drawn diagonal lines, question marks (with or without a vertical line attached), or dots. Throughout the table of contents, a system of pencil markings appeared.
Taylor, Thomson, Tonge, Toplady, Vedder, Ware, Waring, Kirke White, Whittier, Wilcox, N. Moultrie, Andrews Norton, Osborn, Peabody, Percival, Pierpont, Pollok, Pope, Beilby Porteus, Prior, Raffles, Ragg, Redding, Rogers, Russell, Scott, Sharp, Sigourney, Southey, Spencer, Sprague, Swain, Swan, E. Hervey, Hillhouse, James Hogg, Howell, Huie, Huntley, Jewsbury, Landon, Longfellow, Malcolm, Mant, Milman, Milton, Moir, R. Collyer, Conder, ‘Barry Cornwall’, Cowper, Crabbe, Croly, Cunningham, Dale, Dana, Sir John Davies, Dryden, Eastburn, Elliott, Fletcher, Flint, Galt, Gilman, Gisborne, Robert Glynn, Gould, S. Brown, Bryant, Butler, Campbell, Chatterton, S.
Boyse, Brainard, Brooks, Lord Brougham, M. Īn anthology of 204 poems by Addison, Akenside, Barbauld, B. London: Chales Daly, 1841 Ĭopy in the BPM (bb227), inscribed ‘Anne Brontë, April 24th, 1845’ - Source: BonnellCat, 21 BPM Collection Catalogue. Sacred Harmony: A Collection of The Best Poetical Pieces of the Most Eminent Christian Poets and Writers of England and America. Source: Marianne Thormählen, ‘Anne Brontë’s Sacred Harmony: A Discovery’, BS, 30: 2 (July 2005), 93–102. ‘Sabbath Evening Twilight’, Sacred Harmony, 39–41.ĪB added several sidenotes to this poem in her copy.
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